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Origins in Rio de Janeiro

In the 1970s, under Brazil’s military dictatorship, the beaches of Rio were more than just sand and sea. They became a sanctuary.
Surfing meant freedom. Jiu Jitsu meant discipline, respect, and confidence.
When these two tribes crossed paths, they clashed, connected, and built a lifestyle that shaped generations of Brazilians and spread worldwide.

Rickson Gracie with surfboard on the beach

When the Tribes Met

At Arpoador, iconic names created the roots of this connection. Relson Gracie and Rolls Gracie surfed the same waves where Ricardo Bocão, Otávio Pacheco, and Daniel Sabbá paddled out. After surf sessions, they put on the gi and stepped onto the mats.

There were battles too. Sabbá once got taken down on the sand by a Gracie without a single punch thrown. But those clashes built respect. Soon, kimonos started showing up on the beach, while surfboards were carried into the academies.

Rickson Gracie surfing in Rio de Janeiro

The 80s and 90s: Expansion

In the following decades, Marcelo Behring became a key figure. He brought surfers onto the mat in São Paulo, spread the Jiu Jitsu lifestyle in Hawaii, and earned recognition both on the waves and on the mats.

As Ricardo Bocão put it:
“Jiu Jitsu brought discipline to surfing, and surfing brought relaxation to Jiu Jitsu.”

Daniel Sabbá with gi and surfboard

More Than 50 Years Later

Today, the bond between surf and Jiu Jitsu remains alive. The ocean and the mats are like two religions, shaping body, mind, and spirit.
It’s a story written with waves and sweeps, freedom and discipline, sweat and saltwater.

Rico and Relson Gracie on the beach with surfboards

Tribute to Daniel Sabbá

This story also carries the legacy of Daniel Sabbá (in memoriam) surfer, TV presenter, and one of the first to truly embody the fusion of surf and Jiu Jitsu. His famous moment at Arpoador became part of history: how Jiu Jitsu stepped into the surf world and never left.

References

This article was inspired by and references the work of Luca Atalla, published in GRACIEMAG (Gracie Magazine No. 30, Year IV, July 1999).

Origins in Rio de Janeiro

In the 1970s, under Brazil’s military dictatorship, the beaches of Rio were more than just sand and sea. They became a sanctuary.
Surfing meant freedom. Jiu Jitsu meant discipline, respect, and confidence.
When these two tribes crossed paths, they clashed, connected, and built a lifestyle that shaped generations of Brazilians and spread worldwide.

Rickson Gracie with surfboard on the beach

When the Tribes Met

At Arpoador, iconic names created the roots of this connection. Relson Gracie and Rolls Gracie surfed the same waves where Ricardo Bocão, Otávio Pacheco, and Daniel Sabbá paddled out. After surf sessions, they put on the gi and stepped onto the mats.

There were battles too. Sabbá once got taken down on the sand by a Gracie without a single punch thrown. But those clashes built respect. Soon, kimonos started showing up on the beach, while surfboards were carried into the academies.

Rickson Gracie surfing in Rio de Janeiro

The 80s and 90s: Expansion

In the following decades, Marcelo Behring became a key figure. He brought surfers onto the mat in São Paulo, spread the Jiu Jitsu lifestyle in Hawaii, and earned recognition both on the waves and on the mats.

As Ricardo Bocão put it:
“Jiu Jitsu brought discipline to surfing, and surfing brought relaxation to Jiu Jitsu.”

Daniel Sabbá with gi and surfboard

More Than 50 Years Later

Today, the bond between surf and Jiu Jitsu remains alive. The ocean and the mats are like two religions, shaping body, mind, and spirit.
It’s a story written with waves and sweeps, freedom and discipline, sweat and saltwater.

Rico and Relson Gracie on the beach with surfboards

Tribute to Daniel Sabbá

This story also carries the legacy of Daniel Sabbá (in memoriam) surfer, TV presenter, and one of the first to truly embody the fusion of surf and Jiu Jitsu. His famous moment at Arpoador became part of history: how Jiu Jitsu stepped into the surf world and never left.

References

This article was inspired by and references the work of Luca Atalla, published in GRACIEMAG (Gracie Magazine No. 30, Year IV, July 1999).

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